You fiction writers out there. I bet the majority of you love scene breaks. Dispense with boring transitional passages and maneuvering to shift seamlessly character points of view. Hit a paragraph return or two and start the new scene. I’m sure readers appreciate them, too, seeing as how they don’t have to slog through transitional passages and the writer’s effort to shift POV. (I know I appreciate them)
In printed media scene breaks rarely present a problem–even when the book design doesn’t have actual scene break indicators such as asterisks or graphics. A reader sees an inch of white space on the page and that’s the perfect clue that a shift has occurred. Print book designers can also manipulate the amount of text on a page and lessen the chances that a scene break occurs at the bottom of a page, losing the white space and its visual clue that a new scene has started.
Ebooks don’t work that way. (I’m talking about flowable text and not fixed layout) All too often white space looks like a mistake. There is no way to ensure that the break never occurs at the end of the “page.” If it looks like a mistake or if the scene change seems to happen without any clue, the reader is forced to pause to figure out what is going on. If those stutter-pauses build up it can wreck the reading experience and leave the writer with an unhappy reader who will not buy their next book.
Take a look at the following screen shot. Scene break or mistake?
But, what if the writer doesn’t want scene break indicators? What if asterisks or graphics don’t fit the effect he is going for? A simple and effective method is to drop the first line indent.
I do a lot of reading on my Kindles and “text-fatigue” can be a problem. Kind of like driving through Kansas where it seems the landscape never changes. “Oh look! More cornfields! Zzzzzzz…” I can only assume others feel the same way. Using a graphic mixes it up a bit, gives my eyes a slight change of scenery. It doesn’t take much.
The important thing to consider is that ebooks don’t offer the same visual clue opportunities as print books, so it’s up to you to come up with something so your readers stay in the story rather than in a state of confusion.